Quentin Tarantino revived the Ultra Panavision 70 format for The Hateful Eight, becoming the first filmmaker to use this ultra-wide 2.76:1 aspect ratio format since 1966’s Khartoum—a nearly 50-year gap. The production required refurbishing vintage anamorphic lenses and shooting on 65mm film stock, making it only the 11th film ever shot in this exceptionally rare format that was originally used for epic films like Ben-Hur ! 🎬 The Hateful Eight | Cinema Shows
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Quentin Tarantino revived the Ultra Panavision 70 format for The Hateful Eight, becoming the first filmmaker to use this ultra-wide 2.76:1 aspect ratio format since 1966’s
Cinema Shows. Cinema Shows · Original audio. Quentin Tarantino revived the Ultra Panavision 70 format for The Hateful Eight, becoming the first filmmaker to use this ultra-wide 2.76:1 aspect ratio format since 1966’s Khartoum—a nearly 50-year gap. The production required refurbishing vintage anamorphic lenses and shooting on 65mm film ...
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