Gounod's Faust is one of the most performed operas in the world... in its final version. The original 1859 edition, however, is not so common. This week, you can discover how music and words enhance each other in this celebrated production from Opéra de Lille. 🎥 Full interview with conductor Louis Langrée and director Denis Podalydès: operavision.eu/performance/faust 🔔 Friday 12 September at 19:00 CET Credit: Opéra de Lille – Réalisation Déroute vidéo | OperaVision

Le ténor Benjamin Bernheim chante le rôle-titre de l'opéra de Gounod. Extrait. 🎶 🎬 "Faust", à découvrir en intégralité en replay grâce à Francetv culturebox : https://bit.ly/3udO5kM | Opéra national de Paris

Happy birthday, Gounod! Here's Angela Gheorghiu singing Marguerite's aria (O dieu que de bijoux...) from Faust, at the Royal Opera House in London | Angela Gheorghiu

Second session with the young Georgian soprano Tata Razmadze, this time on a French aria: Marguerite’s aria “Il ne revient pas” from Gounod’s Faust. This was a demanding session, focused on the principles of precise French diction, which is inseparable from a structured vocal technique that allows engagement of the appuis, brilliance, stability and clarity of sound. It is important to remember that this work is not “natural,” even for native French speakers. The distinction between open and clos

🥰 'He loves me... how sweet it is to be alive' Irina Lungu as Marguerite performs the aria 'Il m'aime' from Faust - watch Gounod's opera on demand: https://stream.roh.org.uk/packages/faust-2019/videos/faust-2019 | Royal Ballet And Opera